Am I talking to myself? TweetReach may have the answer

I’ve been rather busy lately moving house, hence the lack of posts and even a reduction in my Twitter activity. To get back in the swing of things a quick post about TweetReach.

Stephen Waddington highlighted this tool to me at the North East CIPR Awards on Friday (congrats to all the winners by the way).  It is pretty straightforward to use.  Put in a term, a url or hashtag and it calculates the following three measures:

Reach – the number of different people who follow people who have talked about the search in some way.

Exposure – how many times someone could have seen a particular reference to the topic e.g. if 4 people have tweeted it who all have a follower in common then that follower will have been exposed to it 4 times but will only count as 1 in the reach figures.

Impressions – the total number of occasions to see (effectively the sum of the “Exposure” figures for everyone “Reach”ed)

Note that the Reach figure measures the number of different people. Assuming this is the case (and I have no practical way of checking this) then this is good stuff as it ensures that duplication in networks is taken care of. It also tells you what proportion of the relevant tweets were retweets or @replies.

So a very good tool in theory for understanding the extent and likely penetration of a conversation. However unfortunately the bad news is that it is limited to the last 50 tweets, unless you pay TweetReach $20 and even then it is limited by Twitter’s API to the last seven days or 1,500 tweets. The seven day limitation also means that you MUST carry out the analysis close to the time of the relevant conversation as you can’t go back historically. These factors weaken its role as a measurement tool significantly unfortunately IMHO.

Perhaps now that Google are indexing our tweets the tool could be expanded?

Email is number one for referrals

I was reviewing the stats relating to my last post about the performance of Social Media Releases earlier today. Apart from being very pleasantly surprised to have nearly reached 1000 unique views (making this easily my most visited post to date!) I also found that the number one source of traffic was “direct”.

This means traffic that has been referred to the urls directly and not from another online source. Now unless anyone is able to remember a url with 141 characters, which I am guessing is unlikely, then I assume all of these visits must have come from people visiting the post from emails that include a hyperlink.

The breakdown of unique visits and their sources is as follows:

Source

Direct/mail 481 49%
Twitter 284 29%
Blogs 83 8%
Search 68 7%
Facebook 42 4%
Other 23 2%
981 100%

Twitter also counts for almost a third of the visits, which isn’t surprising given that the post has been tweeted 128 times to date (thank you to everyone who RT’d).

But the fact that almost half of all visits were direct demonstrates the power that email still has as a tool for sharing information with your community. Glad we didn’t forget to mention it in our video (2:25) on how news spreads online :-)

Why all the fuss about Twitter?

I have just got back from a few days at the annual Communication Directors’ Forum. At the event I got to speak to many key communications professionals from some of the UK’s most well known brands. The common questions that I was asked were about how the online world was changing and why all the fuss about Twitter?

Apart from the obvious celebrity focus, Twitter’s success, in my view, is down to a number of factors, the three primary ones being:

– speed,
– permission;
– and relevance.

It is these three characteristics that I see as being key to the further development of online communications in the future.

Speed  

When the Internet first appeared speed of communications was a key area everyone focussed on. We were all now “surfing the information superhighway”. No more relying on snail mail or faxes, a message could be sent by email or online messenger within minutes. With the advent of blogs and low cost publishing platforms this ability to communicate at speed was then increased in reach with individuals being able to tell their stories to a much wider audience, again within minutes.

Now Twitter has taken the reach of blogs and increased the speed to another level.  News can be written in the time it takes to write 140 characters and passed from person to person via “retweeting” in a matter of a couple of seconds. This means news travels at a much greater speed than even blogs can achieve.

Permission

In a “traditional” social networking environment, like Facebook for instance, there needs to be two sided permission. I have to want to be your friend and you have to want to be mine for communication to occur. So I have two choices – to be, or not to be, your friend.

In Twitter’s case if you start to follow me I have three choices. I can say no and block you. I can say yes and follow you back. Both basically the same options as with social networking. But I also have a third option. I can let you follow me, but not follow you back. This allows people who want to know more about a person and what they have to say to listen in without the person you are following having to follow you back. This partially explains the growth in celebrity tweeters. This gives huge amounts of flexibility in the nature of the relationships that participants in the Twitter community can enjoy.

Relevance  

This is crucial in any form of communication as it is only through being relevant to someone that you can ever achieve any form of influence.

The permission choices above allow participants to also have much greater control over the relevance of the information and relationships they have. If I decide that someone I have been following is irrelevant to me I can just stop following them. If I see that someone is talking about a topic that is relevant to me, e.g. a search in Twitter for my company name, I can choose to start following them and listen to what they say and finally I can potentially start a conversation with them about that topic if they want to talk back to me.

But again the other participants also have all of these choices so we are all able to decide who is relevant to us. It is this choice, our own personal relevance filter, which makes for a more efficient dialogue.

What do others think? What characteristic/s of Twitter do others think explain its adoption?

Google isn’t people Google is an algorithm

The title of this post is a comment I made in my presentation at 3i and have used a few times since. (I suspect I heard or read this somewhere once so if anyone knows the who, what and when please tell me so I can attribute).

I was reminded of the quote when reading last week about Eric Schmidt’s comments regarding Twitter and the concept of Twitter as a search engine. Drew Benvie is also carrying out a Twitter search experiment which has resulted in some discussion todayThose with more knowledge of these things than I will probably be able to point out many other reasons but IMHO Google’s success in search was based on five (probably pretty obvious) key factors:

– a simple interface
– low time to get started
– quick
– relevant results
– high coverage of topics

So how does Twitter compare? The table below is my (basic) attempt to summarise a comparison of the two against these five factors. I have added the last two to highlight the key differences as I see it between the basis for the responses.

Conclusions?

For those active members of the Twitter community (like @drewb for example) I think that:

– the potential for increased trust due to the basis of response being real people and;
– for the same reason (potentially) increased relevance of the “results”

are likely to mean that they use Twitter more frequently to answer some of the questions they would have directed towards Google in the past.

However I suspect that these early adopters are the sort of internet sophisticates that already use a wider variety of means to find information – Social bookmarking, Blog searches etc.

For those occasional Twitter users, and those outside of the community altogether, Twitter has a way to go before it will be a significant search competitor to Google in market share terms for the key reason of time investment.

So for the majority of the world’s 1.5bn internet users I suspect that the ease of getting an answer from Google will continue their hegemony of the search market for the foreseeable future – however long that is these days!

The “@”. Fanmail for the 21st Century

I spoke to a few digital marketing people at Sony this week about Twitter. How it works and how it is being used by celebrities and music artists in particular. It got me thinking about how fanmail has changed and the potential implications for pop stars.

When I was growing up in the 1970/80s a fan letter to a pop star was something that took a lot of time and effort.

First of all you had to have an idea of where to send it. If the address of the record company wasn’t on the sleeve such research would probably involve a trip to the library. Next you would probably need to hand write the letter. Then put it in an envelope, walk to the Post Office, buy a stamp and put it in the mail. Then wait…and wait…and wait…and wait some more.

If you were really lucky then perhaps, after what would seem like an inordinate amount of time later, you would get a two line letter back from some faceless person saying thank you for your letter to XXXX. Please find enclosed a picture of XXXX or something similar.

The sender would be over the moon and would probably dine out on this story in the schoolyard for weeks – their friends clamouring to see a glimpse of the picture. Oh and of course i you were really lucky it would be a SIGNED picture – WOW!

Now fast forward to February 2009 and I am an up and coming artist using MySpace and Facebook to connect with my fans and build up a community around my music. I am able to publish new material, announce things like new tour dates in advance and give them an insight into what I am up to. Fans can chat to each other and build their own networks based on their shared interest in my music. That schoolyard has got a lot bigger.

However if a fan writes on my Facebook wall they probably accept that it is more of a promotional tool rather than me personally and might more readily accept that I won’t be responding individually to everyone. In a sense the site itself is a 21st century multimedia version of the standard picture fans got in response to their 1970s letters.

But a true fan still wants a SIGNED one. Something personal just for them. Now let’s say the artist joins Twitter. Its easy for them to do (assuming their name is available), after all they only have to type up to 140 characters a few times a day maybe, and all from their mobile. Not a great deal of time to invest. Next thing they know they have 5,000 followers, then 10,000. The artist themselves only follows a handful of fellow music industry people and their “real” friends.

Then those followers start @ing them like crazy. Because the difference to the 1970s is that now the fans’ required investment is really low as well. It takes them seconds to @XXXX from their own phone and they know it goes to XXXX directly. Suddenly in this world fanmail goes through the roof. What do they do? Ignore them? But that might lead to some really upset fans. Respond to every tweet? Very time consuming. Delegate responding to someone else? Yeah but now it’s not authentic and will the fans respond badly to this?

It’s all too soon to tell. But what one can see is that in the 1970s the volume and expectations of fanmail were low as it took a lot of time to send a letter and it was to someone so remote that any response was fantastic.

On Twitter the potential for volume and expectations to be high are real and artists need to consider the potential issues around this before diving into this exciting new world.